![]() It’s a shame, but Final Vol 1 positions Iglesias more as court jester than the Latin king he once was. But then there’s the ludicrous “El Bano”, which, while catchy, translates to a horny Iglesias talking about how his lover can “make so hard”, he wants to go to the bathroom to hook up. You have the sultry “Me Pase”, with its reggaeton beat and gorgeous licks of Spanish guitar, and the assertive “Subeme La Radio”. Things pick up a tiny bit at the halfway point. “I’m feeling kinda empty… I’m a bit depleted,” he sings on “Unwell” and, yes, right now he’s emulating Adam Levine’s brand of soulless pop. The English-language “Chasing the Sun” is a bland auto-tune fest that sounds like one of the so-so tracks by Joe Jonas’s pop band, DNCE. His are deep brown, offering infinite promise as they gaze out from album. In the 1990s, Iglesias returned to his original Spanish melody in Tango (1996), nominated for Best Latin Pop Album at the 1998 Grammy Awards, losing to the. Final Vol 1 is a surprisingly unsexy offering from the artist who once turned fans to jelly with brooding numbers such as 2001’s “Hero”. his inability to make a name for himself in this country, Julio Iglesias. Now, though, it seems the 46-year-old is worn out. Khalid croons on Scenic Drive, a second album that’s all vibe, no edge – review.Neil Young and Crazy Horse’s ‘Barn’ is a rock-out among the hay bales – review.Alicia Keys’s experimental album stops short of reaching its tall ambitions – review. ![]()
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